Through the exploration of the relationship between art and life, the readymade and my allusion to everyday materials, and, assemblages my concern with art as an environment to be experienced based on consumerism and tradition.
The gesture becomes both the subject and the object of my artwork, creating an equilibrium between spontaneity and design. I pulled directly from the materials of my everyday including sponge, straw, pencil, sandwich box, counter, water bottle, rubber, cup, cutlery, egg carton, hanger, elastic, cardboard box, lamp, ruler and frame on top of one another to create the Untitled (beauty and meaninglessness II), 2019. It is referred to a form of collage in which I try to connect very different structures or materials in a way that can break the fixed context of an object.
Thus an aesthetic appreciation of everyday objects became a more rational simplification of the form so that they lost their status as useful items. For me, once again the emotional is implicit: blossoming my compulsiveness and collectivism that brought to the innumerable everyday objects I use.
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